![]() ![]() ![]() She takes her son to meet Princess Augusta, introducing him as Lord Danbury. ![]() What he doesn't know is with Lady Danbury, there is always the secret third option. Her options, he says, are to rely on a male relative or remarry. Agatha doesn't have much time to dwell on this, as her husband's solicitor comes by to tell her that there's no language in any of the documents to indicate that the title and property pass to her son, nor is there much money left, since Lord Danbury used it all to furnish their lavish new life. Just as they lean in for a kiss, he remembers himself and hops up to leave. Lord Ledger tells her that he understands what she feels, and that he is there for her. She confesses her loneliness to him, that she is dreading a lifetime spent with widows, with nothing new to look forward to, not even her upcoming birthday as it's just a sign that there is nothing there for her. Speaking of Lady Danbury's wants, back in the past, she and Lord Ledger meet up for their daily walks and grow closer as they do. She makes the excellent - and evergreen - point that love is so often considered the province of the young, and no one ever devotes time to discussing how older women, women who have experienced love and loss and desire and heartbreak, might feel about such things. Agatha tells her there's nothing to be ashamed of, and that it's ok for her to have such desires. Though she's embarrassed and leaves the exhibit, she later returns to meet Lady Danbury there, just the two of them. While Violet initially tries to deflect, blaming the chaos of her children, she finally admits that lately her libido has gone into overdrive, and she finds herself actually entertaining sexual thoughts, a first since her husband died. Agatha notices and presses her on the matter. Lady Danbury and Violet head out to an art exhibit, where an erotic painting catches Violet's eye and leaves her feeling flustered. Charlotte tells him that love isn't something that happens, but something you choose to pursue and work towards, something we see her do time and again, particularly in this episode. At his wedding, William confesses to his mother that he's worried he won't be able to love his wife. While that might be technically true, George is too scared of his mother to go against her and approves both marriages at once. The pair of them are horrified and later return with their oldest brother George ( Ryan Gage), telling Charlotte she can't tell them who to marry, only George can, because he's the Prince Regent. Reynolds takes the letter, but when Monro forbids George from receiving it, he adds it to the growing stack in George's observatory.īack in the Regency era, Charlotte summons her sons William ( Seamus Dillane) and Edward ( Jack Michael Stacey) to introduce them to the two princesses she has decided they will marry. Their conflicting loyalties to the monarchs they serve and to each other have been driving a wedge between them for several episodes and I just want to see them happy again. The Queen's Man does his task willingly, but that doesn't mean he isn't deeply upset with his paramour, annoyed that Reynolds knew what was happening and didn't say anything. Since she and George are unable to be together, Charlotte writes him letters which she sends with Brimsley ( Sam Clemmett) to hand off to Reynolds ( Freddie Dennis). When the doctor confirms it, Augusta is delighted and decides she's moving in at once. As much as she hated him, she has no idea what it is to live in a world without him, or to exist for herself and not for him.Īlso having family trouble? Charlotte, whose mother-in-law Princess Augusta ( Michelle Fairley) arrives with Lord Bute ( Richard Cunningham) to confirm that Charlotte is in fact pregnant. Afterward, she isn't quite sure what to do with herself and confesses to a sympathetic Coral ( Peyvand Sadeghian) that she was promised to Lord Danbury ( Cyril Nri) when she was three years old and raised to be his wife. Meanwhile, Lady Danbury ( Arsema Thomas) finally lays her husband to rest at a small funeral with some of the ton in attendance, including the Ledgers. Monro ( Rob Maloney) has resumed with gusto, with his cries of pain echoing through the halls, and the King's Man Reynolds ( Freddie Dennis) is left unable to intervene, with the doctor's goons forbidding him entry. In the past, George's torture at the hands of Dr. ![]() RELATED: 'Queen Charlotte: A Bridgerton Story' Episode 4 Recap: The Sadness of King George ![]()
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